Slovak Concerto Grosso in four movements maintain in its basic features all signs of baroque facture. Solo and orchestral parts form cascadic dynamic instrumental colouring. Polyphonic seizing of voices has an innovated rhythmico-melodic shape thanks to the immitational lines of voices, material of which comes from authentic Slovak music folklore. In rhythmic structures, the binare metrum prevails, which by the means of ligatures and accents introduces into the dramaturgy in motion birhythmic contrast flats.
Allegro poco e poco