{"content":"\n    <div class=\"detail-content\">\n        \n        <strong>About work:</strong> <p>This music is generated, it is a kind of quest to find the possible rhytmic and pitch combinations, which exist in a certain space waiting to be discovered. Generated sections are further directed and processed in a particular manner. This is possible music, music thatť can exist. I work with seemingly ready material - quotations of nonexistent or not yet discovered music. Furthermoer, this is a kind of sound illusion: - simple chants that feel like polyphony (hocket), thanks to phase shifts and extended durations of certain pitches - combinations of instruments resulting in timbres that emulate other sounds - exploitation of sound peculiarities of the instrument, its sound irregularities, \"defects\" (in each instrument, there are original combinations of harmonics embedded. This is the instrument´s genetic code; there are no two instruments with the same sound, e.g. violins...) At the end of my effort is a change (an illusion of it) of given, apparently constant harmonics of the particular instrument. This practically means that the sound of the piano can be changed to the sound of the violin, or even to the noise of the coffee machine. In such a moment, we do not hear the resonating instrument; instead, we perceive sound as invisible matter all around us, as a field charged with the spiritual. For Evenings Of New Music</p><br>\n        <em>(author, in: booklet of the CD \"SOOZVUK\")</em><br>\n        <br>\n        \n\n        <p>\n                \n                <p><strong>First performance abroad</strong></p>\n                \n                05.12.2002,\n                CZ\n\n<br><span class=\"type\">Performers: </span>VENI ensemble, OPERA APERTA ensemble, Marián Lejava (dir.)\n                <br>\n\n\n            </p>\n    </div>\n"}