{"content":"\n    <div class=\"detail-content\">\n        \n        <strong>About work:</strong> <p><em>Zátišie a súzvuk</em> means (mostly) still-life and chord in the Slovak language. But the word <em>zátišie</em> may also evoke something behind silence (za – behind, ticho – silence). The word <em>súzvuk</em> may also suggest different meanings: harmony, unison, consonance, or concordance.<br />While composing this piece, I wrote the following text into my diary:<br /><em>What can I learn—not from—but about these instruments? How will they work together? Which chords and combinations sound \"beautiful\" (and why?), or \"necessary\"? How to organize them (form)? What music should be \"discovered\"?</em></p><br>\n        <em>(author)</em><br>\n        <br>\n        \n\n        <p>\n                \n                <p><strong>First performance abroad</strong></p>\n                \n                30.10.2021,\n                IWB Filter 4 – culture affairs,\n                Basel,\n                CH\n\n<br><span class=\"type\">Performers: </span>Jedediah Allen (cn), Anna-Kaisa Meklin (vlg), Lukas Frank (org), Julia Marty (lut), Rui Stähelin (lut), Carolin Margraf (ar)\n                <br>Version for cornetto muto, viola da gamba, organ, gittern, plectrum lute and gothic harp.<br>\n\n\n            </p>\n    </div>\n"}