{"content":"\n    <div class=\"detail-content\">\n        \n        <strong>About work:</strong> [The commission for creating the opera] I got from the State Opera in Hannover. It was a coproduction with participation of of five international authors. [...] Every composer got the libretto, the basic ensemble consisted of eight players, every author got a singer and instrumentalist and had to compose an aria for this group and cca 8-minute instrumental composition for orchestra. I had luck on barythone with trumpet. A special and grateful combination. The topic of the opera results from the Einstein's theory of relativity. The main theme is time and space as discontinual units, so much relative in all aspects. [...] In the opera there are dialogues on this theme, which create the axis of opera. All the action is situated to staircase, passages or bureaus, what isn't usual, but in the final shape it's expressive. In addition, to the audience the sujet of opera evoked actual political situation in Germany.<br>\n        \n        <br>\n        <p>\n            <strong>Movements:</strong><br>\n\n                Aria of Exhaustion for trumpet and bassbaritone solo voice\n                4–5'\n                <br>\n\n                Polyphone Utopie for solo bass baritone\n                8–9'\n                <br>\n            </p>\n\n        <br><p>\n                \n                <p><strong>First performance abroad</strong></p>\n                \n                29.09.2005,\n                Hannover,\n                DE\n\n<br><span class=\"type\">Performers: </span>Hans-Peter  Scheidegger (bbr), Jochen  Dittmann (tr), members of the Hannover State Orchestra, Johannes  Harneit (dir.)\n                <br>\n\n\n            </p>\n    </div>\n"}