{"content":"\n    <div class=\"detail-content\">\n        \n        <strong>About work:</strong> <p><em>Sonata for violin and piano</em> was written in a series of compositions that were created one after another. Except for Sonata for violin and piano, there are: VIIth string quartet, Games for Bianca, Marekánia, Pulsation´s and Toccata for organ, choir score Praise of Singing and piano compositions. I have mentioned all these compositions because they all have certain common features, the main of which is that to the contrary with the author´s previous works, they stress the rhythm. By rhythm, I do not mean certain characteristic rhythmical models, but certain irregular time relations between particular voices, or score layers, Harmony and timbre solutions are not as stressed as they used to be in the past. To use a comparison, this kind of music reminds me more of a graphic, than of a painting. I have devoted the violin sonata to my friend and an interpreter of the contemporary music, P. Michalica.</p><br>\n        <em>(author, in: Bulletin Melos-Ethos 1993, p. 167.)</em><br>\n        <br>\n        \n\n        \n    </div>\n"}