{"content":"\n    <div class=\"detail-content\">\n        \n        <strong>About work:</strong> <p>Although Vladimír Bokes's compositional language seemingly remains within the coordinates announced already in his early opuses, the author's development marks some sophisticated and yet appreciable movement along its own axis. The sharp constellation of compositional units creates as if unintentionally a 'secondary' dimension of some 'exterior' relaxation or of expressive flexibility. The <em>Ostinato Op. 69</em> (1998) is a compositional equivalent to its name having a humorous stylization with mutations, kinetic development, and a sense of instrumental coloring.</p><br>\n        <em>(Lýdia Dohnalová, in: CD booklet \"Slovak Music for Double Bass and Piano,\" Diskant 2008)</em><br>\n        <br>\n        \n\n        <p>\n                \n                <p><strong>First performance abroad</strong></p>\n                \n                25.10.1998,\n                Chicago,\n                US\n\n<br><span class=\"type\">Performers: </span>Radoslav Šašina (cb), Dana Šašinová (pf)\n                <br>\n                <p><strong>First performance in Slovakia</strong></p>\n                \n                \n                14.02.1999,\n                Sunday Matinees at the Bratislava City Gallery,\n                Mirbach Palace,\n                Bratislava,\n                SK\n\n<br><span class=\"type\">Performers: </span>Radoslav Šašina (cb), Dana Šašinová (pf)\n                <br>\n\n\n            </p>\n    </div>\n"}