{"content":"\n    <div class=\"detail-content\">\n        \n        <strong>About work:</strong> <p>Traditional piano figures in non-traditional contexts, romantic emotion in a rational concept, seriousgesture in a funny situation, pathos, which doesn't take itself seriously.</p>\r\n<p>In this composition pianos are not only a music instruments, but also the main impulse of compositional thinking.Traditional figures of piano technique – fast scale runs, jumps, octaves, large chord breakdowns and dense chordal notation are the building blocks of the whole. We can hear the playing technique and romantic pathos used by Liszt, Chopin and Tchaikovsky even though the composition doesn't contain quotes from their music. Especially we hear the speech of the contemporary composer, the concept of non-serious gestures.</p>\r\n<p>An inspiration for writing of the <em>Small Concerto with Big Gestures </em>was also the musical and non-musical friendship of the members of the piano duo Ivan Šiller and Tomáš Boroš – they had already experienced enough together on joint trips, concerts and recordings, so the time was ripe for them to enjoy it as soloists in a concerto for orchestra.</p>\r\n<p>A <em>Small Concerto with Big Gestures </em>was created in the spring of this year for the 50th anniversary of Devin Radio.</p><br>\n        \n        <br>\n        \n\n        <p>\n                <p><strong>First performance in Slovakia</strong></p>\n                \n                \n                30.09.2022,\n                Large concert studio of the Slovak Radio,\n                Bratislava,\n                SK\n\n<br><span class=\"type\">Performers: </span>Tomáš Boroš (pf), Ivan Šiller (pf), Slovak Radio Symphony Orchestra, Adrian Kokoš (dir.)\n                <br>\n\n\n            </p>\n    </div>\n"}