{"content":"\n    <div class=\"detail-content\">\n        \n        <strong>About work:</strong> <p>I wrote <em>Metamorphoses</em> in the course of the school year 2011 – 2012 as my bachelor work. It has the following instrumentation: flute, oboe, clarinet, bassoon, two violins, viola, cello and piano. The compositional language is based on a system of strict twelve-tone. The movements have an identical theme. The first movement begins with seven tectonic sections, elaborated in the capriccio manner. The second movement (Moderato) is produced by rotation of the twelve-tone theme. Here there are precisely thirteen tectonic sections, in the last of which the process returns to the beginning of the theme. In this composition I am using twelve-tone technique including generation of fourth and fifth modulation. I managed to achieve an equivalence of all instruments. The piece lasts six minutes and twenty seconds and I have dedicated it to Jozef Podprocký.</p>\r\n<p>This composition was published in book Meine Unterschift</p><br>\n        <em>(author, in: Bulletin Melos-Ethos 2015, p. 82.)</em><br>\n        <br>\n        <p>\n            <strong>Movements:</strong><br>\n\n                I.\n                \n                <br>\n\n                II.\n                \n                <br>\n            </p>\n\n        <br><p>\n                <p><strong>First performance in Slovakia</strong></p>\n                \n                \n                2012,\n                Orfeus Festival,\n                Concert Hall Dvorana, University of Performing Arts,\n                Bratislava,\n                SK\n\n<br><span class=\"type\">Performers: </span>Musica Stricta\n                <br>\n\n\n            </p>\n    </div>\n"}