{"content":"\n    <div class=\"detail-content\">\n        \n        <strong>About work:</strong> <p>I wrote this piece in response to the ensemble Hudba dneška (Music of Today) led by Ladislav Kupkovič, which played avantgarde pieces by contemporary European and Slovak composers. Composer P. Kolman and musicologist P. Faltin collaborated extensively with the ensemble. Apart from that, I was tempted to use the opportunity to show, what I could compose by means of the most extreme avantgarde techniques – dodecaphony, multi-serialism, aleatorics, etc. I was slightly older than the Slovak avant-garde and I knew very well that I was taken for a „conservative“, „pupil of A. Moyzes“, who was no table to contribute to revolutionary changes in Slovak music. Therefore one has to judge this piece as a personal revolt, „a proof“ of my adaptability to the avantgarde. The Introduction is based on spatial development of three tones. Structure V. is aleatoric. Coda repeats the operations of the Intro-duction (3 tones in space). Transitions from one movement to the other (attacca) are deliberately made invisible so as to give the work a compact appearance. Combinazioni sonoriche was first performed by ensemble Hudba dneška in 1965.</p><br>\n        <em>(author, in: Bulletin Melos-Ethos 1993, p. 110.)</em><br>\n        <br>\n        \n\n        \n    </div>\n"}