{"content":"\n    <div class=\"detail-content\">\n        \n        <strong>About work:</strong> <p>The name of the composition is taken from Ohm’s law for closed circuit. Its idea is the utilisation of musical surfaces in the same way as when creating electronic music. Electricity is conceived as an element in various contexts creating a certain tension – whether between the player and the music, or the music and the public. These surfaces keep returning, but always in new contexts, with new tensions and relationships – as in a closed current of some non-concrete thing.</p><br>\n        <em>(author, in: Bulletin Melos-Ethos 2015, p. 83.)</em><br>\n        <br>\n        \n\n        <p>\n                <p><strong>First performance in Slovakia</strong></p>\n                \n                \n                13.11.2015,\n                Melos-Ethos,\n                Concert Hall Dvorana,\n                Bratislava,\n                SK\n\n<br><span class=\"type\">Performers: </span>EnsembleSpectrum, Matej Sloboda (dir.)\n                <br>\n\n\n            </p>\n    </div>\n"}