{"content":"\n    <div class=\"detail-content\">\n        \n        <strong>About work:</strong> <p><em>Waltz for Colonel Brumble</em> (1975) was very discreetly asked for by the colonel himself. (It is one of the secrets of this work how and when <em>a</em> changed into <em>u</em>.) Major Parker, curate Mac Ivor, doctor O´Grady and the French interpreter Aurelle entertained themselves in endless discussions that were accompanied by music of a private disco of the always silent colonel (André Maurois: Les silences du Colonel Bramble). The disco was dominated by a speciality (Messiou... je vais jouver Destiny Waltz pour vous), which was served by the colonel to his audience with strong anthusiasm as well as with resolute persistence („Why then, sir, did he talk so? Why, sir, to make you answer as you did?“).</p><br>\n        <em>(author, in: Bulletin Melos-Ethos 1993, p. 113)</em><br>\n        <br>\n        \n\n        \n    </div>\n"}