{"content":"\n    <div class=\"detail-content\">\n        \n        <strong>About work:</strong> <p><em>Musica aeterna</em> (dedicated to Mirek Kaufman) was composed during his stay in Paris. It is a double-concerto where the first group is represented by trumpet, trombone and kettle-drums and the second one by four violins. The other instruments create quasi baroque basso continuo. Three stylized baroque musical fragments serve as a basic material. However, they can never be heard in the accomplished form. They are split up, interrupted and disintegrated into several groups which are frequently repeated. It causes that they become annoying and so the original „beautiful“ baroque music often sounds paradoxically unpleasant. Towards the end even the differences between the instrumental groups gradually disappear and the composition ceases to be a concerto. Music also fades away in a nervouss silence.</p><br>\n        <em>(author, in: Bulletin Melos-Ethos 1993, p. 179.)</em><br>\n        <br>\n        <p>\n            <strong>Movements:</strong><br>\n\n                Ad infinitum - Preludio\n                \n                <br>\n\n                Musica aeterna - Sequenza\n                \n                <br>\n\n                Siilentium - Postludio\n                \n                <br>\n            </p>\n\n        \n    </div>\n"}