{"content":"\n    <div class=\"detail-content\">\n        \n        <strong>About work:</strong> <p>I started to compose Passi Du Jazz during my summer artistic stage by Franco Donathoni in Siena in Italy. By work on new composition I always have a question, how illustrates musical thinking of me, certain style, or whole our age. Every new composition should it backwards enrich, expand, differentiate... And from that comes the poetic \"tactics\" of many composers. On the first side they are artists, \"drowning\" in constructions of \"atomic\" extent, on the other side is a group, to which I`m more-or-less inclined and which - I think - sees the future of music a little more real and sensitive. Simplifications of musical mediums and also musical structure, seeking for pureness, fragility, new melodiousness and siplicity, using of jazz or rock elements are characteristic for her. And with this credo I accessed to this composition.</p><br>\n        <em>(author, in: Bulletin New Slovak Music 1989)</em><br>\n        <br>\n        \n\n        \n    </div>\n"}