{"content":"\n    <div class=\"detail-content\">\n        \n        <strong>About work:</strong> <p>I`ve finished this composition in august 1994. It consists of five parts, which are quite short, lapidar and prevailingly witty and atacca are creating a coherent unit. This coherence is strengthened by the 12 tone all-interval-series, which I understand more as a theme and a motive than dodecaphonically or serially. Vertical structures constitute a basis for the harmonic process of the whole composition. I intended \"ludus tonalis\" and this kind of play I`ve realized in most of the expressions and processes of this composition priciple. The whole composition is designed as a sequence of more or less witty contemplations on certain contradictory, of humorous and often comical specialities of human thinking, acting and behaviour of man, who unintentionally found before a contorted mirror...</p><br>\n        <em>(author, in: Bulletin New Slovak Music 1994)</em><br>\n        <br>\n        <p>\n            <strong>Movements:</strong><br>\n\n                Prelude\n                \n                <br>\n\n                Meditation\n                \n                <br>\n\n                Interlude\n                \n                <br>\n\n                Humouresque\n                \n                <br>\n\n                Postlude\n                \n                <br>\n            </p>\n\n        <br><p>\n                <p><strong>First performance in Slovakia</strong></p>\n                \n                \n                24.11.1994,\n                New Slovak Music,\n                SK\n\n<br><span class=\"type\">Performers: </span>Košice string quartet\n                <br>\n\n\n            </p>\n    </div>\n"}