{"content":"\n    <div class=\"detail-content\">\n        \n        <strong>About work:</strong> <p>The song originated sometime between 2002 and 2005 and it only had a single verse. I knew it would sound better if sung by a female voice. I had to wait. For about ten years it lay idle, then we – Sleepy Motion band – got to play it about three times in 2015. By the end of that period, my feeling about the character of this piece proved to be right and we discarded it from our repertory. It does need the female element at the performance; it doesn't require a rhythmic accompaniment. It possesses a very quiet dynamism despite the use of electronics; it calls for serene atmosphere during the concert, which, when playing with the band in clubs, can be neither demanded nor achieved.<br />When the time came for me to provide a composition for Eva Šušková, something happened that I still can't make any sense of: another two verses suddenly occurred to me, those that had been missing for ten years when I couldn't put them in any specific form, and now it happened in three days... Today's dark, tense and ominous political situation certainly helped, but I can't tell whether that's all there is to it. I recorded the new acoompaniment in such a way that, together with her voice, it serves only as a necessary background and creates the underlying atmosphere.</p><br>\n        <em>(author, in: CD booklet \"Eva Šušková : secret VOICE electric\", Real Music House 2393-007-2, 2016, p. 13.)</em><br>\n        <br>\n        \n\n        \n    </div>\n"}