{"content":"\n    <div class=\"detail-content\">\n        \n        <strong>About work:</strong> <p>A Song For Soprano, Clarinet, Viola, Percussions And Piano was composed in 2000. The used text-fragment comes from more extensive work The Marriage of Heaven and Hell of an english poet and graphic artist from the edge of 18. and 19. century, William Blake, which was able to traverse to the \"shadowland\" and give messages from there. ... Composition of the poem has a structure of collage, brings dialogues of various spiritual beings between themselves or with author. Fragment in song is a voice of devil. In the meaning of this text are important two contrastful levels: the first is evident - it`a contrast between wisdom and truth on the first side and mystification on the other side. The second contrast level sources from the thinking about text and it is a contrast to the imagination of the unity of opposites. These two types of contrasts in my thinking created a certain associate-level for speculating in musical categories. For example there are contrasts: conventional playing - untraditional and theatral arts of playing and singing, or composed music - quotation.</p><br>\n        <em>(author, in: Bulletin New Slovak Music 2002)</em><br>\n        <br>\n        \n\n        <p>\n                <p><strong>First performance in Slovakia</strong></p>\n                \n                \n                10.11.2002,\n                New Slovak Music,\n                SK\n\n<br><span class=\"type\">Performers: </span>Marián Lejava (dir.), Miriam Gašparíková (pf)\n                <br>\n\n\n            </p>\n    </div>\n"}