{"content":"\n    <div class=\"detail-content\">\n        \n        <strong>About work:</strong> <p>In <em>Ragtime</em> I took melodic and rhythmic structures from Charles Ives’s composition <em>Three Page Sonata</em> and transformed them into their presumably original shapes, seen, however, through the eyes of contemporary music and pozonism.</p><br>\n        <em>(author, in: booklet of the CD \"The Radical Cut\", Pavlík records PA 0082-2/9, p. 6.)</em><br>\n        <br>\n        \n\n        <p>\n                <p><strong>First performance in Slovakia</strong></p>\n                \n                \n                26.11.2004,\n                Evenings of New Music,\n                SK\n\n<br><span class=\"type\">Performers: </span>Daan Vandewalle (pf)\n                <br>\n                \n                <p><strong>First performance abroad</strong></p>\n                \n                11.02.2005, Your House of (New) Music / SPACE,\n                Rode Pomp,\n                Ghent,\n                BE\n\n<br><span class=\"type\">Performers: </span>Ivan Šiller (pf4m), Andrea Bálešová (pf4m)\n                <br>Premiere of the version for piano four hands.<br>\n\n\n            </p>\n    </div>\n"}