{"content":"\n    <div class=\"detail-content\">\n        \n        <strong>About work:</strong> <p>As early as the beginning of the thirties, Cikker´s profile began obtaining quite individual features. Sonatina for Piano (1933) is the best proof of it. It is a classic type of sonatina with compositional elements of late romanticism, though it reveals, at the same time, that it had been influenced strongly by Vítězslav Novák´s schol as well as endowed with typical Slovak feelings. Compositional multisignificance (oscillation between chromatic and diatonic bases and between homophony and polyphony) is a source of ideational riches and dramatism. We can say that the work anticipates those compositional and creative principles of the composer´s way of musical expression that are fully utilized in his orchestral and operatic opuses later. <em>Sonatina for Piano</em> is dedicated to Professor Jaroslav Křička, Cikker´s teacher at the Prague Conservatoire.</p><br>\n        <em>(Igor Berger, in: commentary to the LP Opus 9311 1769, 1986.)</em><br>\n        <br>\n        <p>\n            <strong>Movements:</strong><br>\n\n                Allegro fresco\n                \n                <br>\n\n                Andante sostenuto\n                \n                <br>\n\n                Vivo\n                \n                <br>\n            </p>\n\n        \n    </div>\n"}