{"content":"\n    <div class=\"detail-content\">\n        \n        <strong>About work:</strong> <p>I wrote <em>Full Circle</em> in autumn 2000, as a homage to the guitar, which after the piano, has played a very important role in my life. The composition has five parts – Mobile I, Chorale I, Mobile II, Chorale II and Mobile III – and each of them focuses on a different technical problem and different sound possibilities. The composition’s name is derived from the main compositional material of the first part which is a quint circle. In 2003 some parts of this composition had their world premi&#1104;re in an interpretation by the New York Guitar Quartet.</p><br>\n        <em>(author, in: booklet of the CD \"Slovak Music for Guitar Quartet\", Diskant DK 0133-2 131, p. 4.)</em><br>\n        <br>\n        <p>\n            <strong>Movements:</strong><br>\n\n                Mobile I\n                \n                <br>\n\n                Chorale I\n                \n                <br>\n\n                Mobile II\n                \n                <br>\n\n                Chorale II\n                \n                <br>\n\n                Mobile III\n                \n                <br>\n            </p>\n\n        <br><p>\n                <p><strong>First performance in Slovakia</strong></p>\n                \n                \n                28.03.2011,\n                Bratislava,\n                SK\n\n<br><span class=\"type\">Performers: </span>Bratislava Guitar Quartet, Miloš Slobodník (gui), Jana Babuliaková (gui), Radka Krajčová (gui), Martin Krajčo (gui)\n                <br>Premiere of the movement Chorale II.<br>\n\n\n            </p>\n    </div>\n"}