{"content":"\n    <div class=\"detail-content\">\n        \n        <strong>About work:</strong> <p>My piece for violin, cello, percussion and electronics is based on different ways of using of the echo - these are for example : instrumentation doublings, echo from the microphone, reverbs, double delay, waving of the punctually written vibrato... Musical material is restricted on several chords (and pitches) and the interaction between them. The piece is called \"Echo\" (Ozvena in slovak language) (in the metaphorical - echoes of the emotions and literal-compositional meaning). Also the dynamical aspect is restricted - microphones help to catch the \"actions\" inside.<br /> <br /> Commissioned by Césaré, Centre national de création musicale – Reims, with the support of the Minist&#232;re de la Culture et la Communication in France.</p><br>\n        \n        <br>\n        \n\n        <p>\n                \n                <p><strong>First performance abroad</strong></p>\n                \n                25.11.2008, Reims sc&amp;#232;nes d’europe,\n                FR\n\n<br><span class=\"type\">Performers: </span>ensemble SicReims\n                <br>\n\n\n            </p>\n    </div>\n"}