{"content":"\n    <div class=\"detail-content\">\n        \n        <strong>About work:</strong> <p><strong>A Luca Marenzio</strong> pays homage to the Renaissance composer Luca Marenzio, the author of the beautiful madrigal Solo e pensoso i piú deserti campi, with its fascinating, almost conceptually patient chromatic rise (and incomplete fall) of one of the voices in the beginning of the piece. As a listener, I always felt a bit sorry that this wonderful hypnotic texture passes by so quickly. My homage was therefore (partially) written as a peaceful conversation about music without the limits of time and history. In my piece, the chromaticity is replaced by a \"scale\" made of the natural harmonics of the cello in the range of two octaves. Their \"rise\" and \"fall\" form the backbone of the form. Marenzio's florid counterpoint (by the way, wonderful!) was replaced with a calm and homophonic three-voice texture.</p><br>\n        \n        <br>\n        \n\n        <p>\n                \n                <p><strong>First performance abroad</strong></p>\n                \n                19.09.2018,\n                US\n\n<br><span class=\"type\">Performers: </span>Red desert Duo, Devin Maxwell (C), Katie Porter (cl)\n                <br>\n                \n                <p><strong>First performance abroad</strong></p>\n                \n                21.10.2018,\n                CZ\n\n<br><span class=\"type\">Performers: </span>Lichtzwang trio\n                <br>\n                \n                <p><strong>First performance abroad</strong></p>\n                \n                05.11.2019,\n                CZ\n\n<br><span class=\"type\">Performers: </span>Barbora Haasová Haasová (fl), Karolína Šustová (elgui), Balázs Adorján (vc)\n                <br>\n\n\n            </p>\n    </div>\n"}