{"content":"\n    <div class=\"detail-content\">\n        \n        <strong>About work:</strong> <p>A colorfully duller variant of a piano quintet in the opus Chant d`Amour for two violas, two cellos and piano as though initially cultivate lyricism and tunefulness of the romantic music. The motive alone cannot conceal an afinity with the Caesar Franck musical themes. The new method of work with tones of a broken seventh (septa)-chord dominant and particularly great spacious gradation however convince that the music listened to is sovereignly contemporary. Prominent form convulsion-twist in the centre of gravity is a token of a qualitative change in stylistic orientation of a young author: henceforward his observative attention will be focused on sonorous elements, clusters and micro-interval sequences. Canonical processing of the theme in cadence creates an immensely interesting effect and result of the sequel.</p><br>\n        <em>(CD booklet \"Chant d`Amour\")</em><br>\n        <br>\n        \n\n        <p>\n                <p><strong>First performance in Slovakia</strong></p>\n                \n                \n                13.11.2012,\n                New Slovak Music,\n                Small Concert Hall of the Slovak Philharmonic,\n                Bratislava,\n                SK\n\n<br><span class=\"type\">Performers: </span>Alexander Lakatoš (vl), Július Šoška (vl), Ján Slávik (vc), Eugen Prochác (vc), Dana Šašinová (pf)\n                <br>\n\n\n            </p>\n    </div>\n"}