{"content":"\n    <div class=\"detail-content\">\n        \n        <strong>About work:</strong> <p>The piece <em>Solo</em> for Piano (1973) opens a new creative period in whicch Sixta returns to strict metre. The whole piece is a strict canon for both hands. The motions of the right hand (proposta) are imitated by the left hand (risposta) in inversion, while the axis of the whole process is the tone d1. The continuous gradational arch is created by the extension of registers, rhythmical condensation and dynamics.</p><br>\n        <em>(Vladimír Godár, in: booklet of the CD \"Jozef Sixta – Chamber Music\", Hudobný fond SF 00372131, p. 7.)</em><br>\n        <br>\n        \n\n        <p>\n                <p><strong>First performance in Slovakia</strong></p>\n                \n                \n                27.02.1976, A Week of Slovak Music,\n                Mirror Hall of the Primate's Palace,\n                Bratislava,\n                SK\n\n<br><span class=\"type\">Performers: </span>Sylvia Čápová-Vizváry (pf)\n                <br>\n\n\n            </p>\n    </div>\n"}