{"content":"\n    <div class=\"detail-content\">\n        \n        <strong>About work:</strong> <p>Canonic play of voices, creating kaleidoscopically changing sound constellations, forms the basis of <em>Etude for Harpsichord</em> (1987). The study is almost as a loose continuation of the <em>Piano Sonata</em>, but with variational principle dominating over the dramatic one.</p><br>\n        <em>(Vladimír Godár, in: booklet of the CD \"Jozef Sixta – Chamber Music\", Hudobný fond SF 00372131, p. 7–8.)</em><br>\n        <br>\n        \n\n        <p>\n                <p><strong>First performance in Slovakia</strong></p>\n                \n                \n                12.02.1987,\n                A Week of New Slovak Music,\n                Concert hall of the Czechoslovak Radio,\n                Bratislava,\n                SK\n\n<br><span class=\"type\">Performers: </span>Nora Skuta (cmb)\n                <br>\n\n\n            </p>\n    </div>\n"}