{"content":"\n    <div class=\"detail-content\">\n        \n        <strong>About work:</strong> <p>The piece, <em>… for female voice and tape</em>, was preceded by a conversation with Eva Šušková that was crowned by the topic of the ethical and social dimension of creation and performance. Eva asked me to work with her on her new CD with the use of electroacoustic music and human voice. I suggested \"Midrash on Sodom\" (midrash is a belletristic form of the Torah commentary) for its current social-ethical dimension. Then I asked my colleagues from the Urban Hudák band to join us: artist Boris Vaitovič and piano player Fero Király.</p>\r\n<p>The used tape material is of an older composition Midrash for orchestra, recycled and prepared by the scratching and filtering techniques. I’m happy that we also managed to meet and talk together in the process.</p>\r\n<p>\"Midrash on Sodom\" is a fairy tale with a bad end telling us that it’s insensitive and cruel people, rather than LGBT, who anger the Lord. We talked about this and that, Boris was scratching away and Fero was doing his magic on the new analogue device. The composition <em>… for female voice and tape</em> is a joint author project of Eva Šušková, Fero Király, Boris Vaitovič and Juraj Vajó.</p>\r\n<p>The poetics of the Urban Hudák band is related to its flexible line-up, unconventional approach to the style and its questioning of the established concepts of author and performer. Composer Juraj Hatrík once described us \"as if coming from under the bridge\", so we told ourselves, let this be the basic motto of the band…</p><br>\n        <em>(author, in: CD booklet \"Eva Šušková : secret VOICE electric\", Real Music House 2393-007-2, p. 14 – 15.)</em><br>\n        <br>\n        \n\n        \n    </div>\n"}