{"content":"\n    <div class=\"detail-content\">\n        \n        <strong>About work:</strong> <p>Synthetiser as a contemporary musical instrument gives to composers and also interprets many expression mediums. I find it as an equivalent partner to classical instruments, which has overcome boarders of technical origin of sound and work with sound and is able to give an artistic statement. The title Dextempore comes the latin word extempore - improvisation and prefix de-, which gives to the word opposite meaning. There isn`t any accidentally finding of sounds through the uncontrolled manipulating with controlling elements of the instrument, it`s a work, direct written in the partiture, with possibility of always quite same interpretation, with direct determination of instrument type... Composition is an dialogue of acoustic and electronic instrument - from still introduction through exciting middle part to again release in the end.</p><br>\n        <em>(author, in: Bulletin New Slovak Music 1989)</em><br>\n        <br>\n        \n\n        <p>\n                <p><strong>First performance in Slovakia</strong></p>\n                \n                \n                ,\n                SK\n\n<br><span class=\"type\">Performers: </span>Peter Drlička (cl)\n                <br>\n\n\n            </p>\n    </div>\n"}