Catalogue
Catalog of books
Western Music Theory
[Sign. 3471]
(2010)
- Blasius, Leslie: Mapping the terrain
- Wason, Robert W.: Musica practica: music theory as pedagogy
- Cook, Nicholas: Epistemologies of music theory
- Mathiesen, Thomas J.: Greek music theory
- Bower, Calvin M.: The transmission of ancient music theory into the Middle Ages
- Herlinger, Jan: Medieval canonics
- Rasch, Rudolf: Tuning and temperament
- Gouk, Penelope: The role of harmonics in the scientific revolution
- Butler, David - Green, Burdette: From acoustic to Tonpsychologie
- Nolan, Catherine: Music theory and mathematics
- Cohen, David: Notes, scales, and modes in the earlier Middle Ages
- Judd, Cristle Collins: Renaissance modal theory; theoretical, compositional, and editorial perspectives
- Barnett, Gregory: Tonal organization in seventeenth-century music theory
- Klumpenhouwer, Henry: Dualist tonal space and transformation in nineteenth-century musical thought
- Fuller, Sarah: Organum - discantus - contrapunctus in the Middle Ages
- Schubert, Peter: Counterpoint pedagogy in the Renaissance
- Cohen, Albert: Performance theory
- Bent, Ian: Steps to Parnassus: contrapuntal theory in 1725 precursors and successors
- Covach, John: Twelve-tone theory
- Berger, Anna Maria Busse: The evolution of rhythmic notation
- Caplin, William E.: Theories of musical rhythm in the eighteenth and nineteenth centuries
- London, Justin: Rhythm in twentieth-century theory
- Hyer, Brian: Tonality
- Lester, Brian: Rameau and eighteenth-century harmonic theory
- Bernstein, David W.: Nineteenth-century harmonic theory: the Austro-German legacy
- Drabkin, William: Heinrich Schenker
- McCreless, Patrick: Music and rhetoric
- Burnham, Scott: Form
- Dunsby, Jonathan: Thematic and motivic analysis
- Rothfarb, Lee: Energetics
- Gjerdingen, Robert: The psychology of music
What about jazz in Finland?
[Sign. 941]
FMIC-Finnish Jazz Federation (1990)
When the Music Stops
[Sign. 2952]
(1996)
Why Jazz? A Concise Guide
[Sign. 3272]
Oxford University Press (2011)
Wieland der Schmied
[Sign. 3204]
Wien Modern 2003. Musik der Gegenwart.
Pfau (2003)
Wiener Barock Musik. Band 3. 3.
[Sign. 1504]
Verlag Ludwig Doblinger (1946)
Wieniawski
[Sign. 10]
Polskie Wydawnictvo Muzyczne (1974)
WIPO Copyright Treaty (1996) with the agreed statements of the Diplomatic Conference that adopted the Treaty and the provisions of the Berne Convention (1971) referred to the Treaty
[Sign. 2798]
(1998)
WIPO Performances and Phonograms Treaty (1996) with the agreed statements of the Diplomatic Conference that adopted the Treaty and the provisions of the Berne Convention (1971) and of the Rome Convent
[Sign. 2799]
(1998)
Witold Lutosławski. Materiały sympozjum poświęconego tworczości. Prezentacje, interpretacje, konfrontacje
[Sign. 827]
Sekcja muzykologów (1985)
Witold Lutosławski. Materiały sympozjum poświęconego tworczości. Prezentacje, interpretacje, konfrontacje
[Sign. 1814]
Sekcja muzykológow (1985)
Witold Lutosławski. Materiały sympozjum poświęconego tworczości. Prezentacje, interpretacje, konfrontacje
[Sign. 1815]
Sekcja muzykológow (1985)
Witold Lutosławski. Materiały sympozjum poświęconego tworczości. Prezentacje, interpretacje, konfrontacje
[Sign. 1816]
Sekcja muzykológow (1985)
Wolfgang Amade
[Sign. 2087]
(1961)
Wolfgang Amadeus Mozart
[Sign. 2012]
Zeneműkiadó (1967)
Wolfgang Amadeus Mozart
[Sign. 2099]
(1956)
Wolfgang Amadeus Mozart
[Sign. 2908]
Hudobné centrum (2006)
Wolfgang Amadeus Mozart. Festausgabe: 1756-1956. Eine Biographie
[Sign. 1209]
Amalthea-Verlag (1955)
Women and Music in Serbia
[Sign. 3449]
Women composers in Germany
[Sign. 2921]
Inter Nationes (1996)
Women in Music. 5th International Congress. Dokumentation
[Sign. 1481]
Kulturinstitut (1989)
Woody Shaw. Eight classic jazz originals (volume 9) + (CD c. 1013). 9
[Sign. 1667]
Jamey Aebersold Jazz (1975)
Works by Japanese Composers 1997 − 1998
[Sign. 60]
Suntory Music Foundation (1999)