Katalóg
Katalóg kníh
Warszawska Jesien 2002. Warsaw Autumn. 20.-28.9.2002
[Sign. 3406]
Warszawska Jesien 2003. Warsaw Autumn. 19.-27.9.2003
[Sign. 3407]
Warszawska Jesien 2004. Warsaw Autumn. 17.-25.9.2004
[Sign. 3408]
Warszawska Jesien 2005. Warsaw Autumn. 16.-24.9.2005
[Sign. 3409]
Warszawska Jesien 2006. Warsaw Autumn. 22.-30.9.2006
[Sign. 3410]
Warszawska Jesien 2007. Warsaw Autumn 21.-29.9.2007
[Sign. 3411]
Warszawska Jesien 2008. Warsaw Autumn 19.-27.2008
[Sign. 3413]
Warszawska Jesien 2010. Warsaw Autumn 17.-23.9.2010
[Sign. 3414]
Warszawska Jesien 2011. Warsaw Autumn 16.-24.2011
[Sign. 3415]
Warszawska Jesien 2015. Warsaw Autumn 15.-26.2015
[Sign. 3416]
Warszawska Jesien 2016. Warsaw Autumn 16.-24.2016
[Sign. 3417]
Warszawska Jesień. Warsaw Autumn
[Sign. 419]
Polskie Wydawnictwo Muzyczne (1983)
Warszawska Opera Kameralna (1961 – 1996)
[Sign. 418]
Drukarnia ADD
Wayne Shorter jazz classics (volume 33) + (2 CD č. 1038). 33
[Sign. 1692]
Jamey Aebersold Jazz (1985)
Weber. Gestalt und Schöpfung
[Sign. 783]
VEB Verlag der Kunst (1953)
Weberova romantická cesta
[Sign. 2200]
Josef R. Vilímek (1944)
Webster´s New World Dictionary of the American Language
[Sign. 1943]
Warner Books (1984)
Webster´s New World Dictionary of the American Language
[Sign. 2005]
Warner Books (1984)
Wes Montgomery (volume 62) + (CD č. 1065). 62
[Sign. 1720]
Jamey Aebersold Jazz (1994)
Western Music Theory
[Sign. 3471]
(2010)
- Blasius, Leslie: Mapping the terrain
- Wason, Robert W.: Musica practica: music theory as pedagogy
- Cook, Nicholas: Epistemologies of music theory
- Mathiesen, Thomas J.: Greek music theory
- Bower, Calvin M.: The transmission of ancient music theory into the Middle Ages
- Herlinger, Jan: Medieval canonics
- Rasch, Rudolf: Tuning and temperament
- Gouk, Penelope: The role of harmonics in the scientific revolution
- Butler, David - Green, Burdette: From acoustic to Tonpsychologie
- Nolan, Catherine: Music theory and mathematics
- Cohen, David: Notes, scales, and modes in the earlier Middle Ages
- Judd, Cristle Collins: Renaissance modal theory; theoretical, compositional, and editorial perspectives
- Barnett, Gregory: Tonal organization in seventeenth-century music theory
- Klumpenhouwer, Henry: Dualist tonal space and transformation in nineteenth-century musical thought
- Fuller, Sarah: Organum - discantus - contrapunctus in the Middle Ages
- Schubert, Peter: Counterpoint pedagogy in the Renaissance
- Cohen, Albert: Performance theory
- Bent, Ian: Steps to Parnassus: contrapuntal theory in 1725 precursors and successors
- Covach, John: Twelve-tone theory
- Berger, Anna Maria Busse: The evolution of rhythmic notation
- Caplin, William E.: Theories of musical rhythm in the eighteenth and nineteenth centuries
- London, Justin: Rhythm in twentieth-century theory
- Hyer, Brian: Tonality
- Lester, Brian: Rameau and eighteenth-century harmonic theory
- Bernstein, David W.: Nineteenth-century harmonic theory: the Austro-German legacy
- Drabkin, William: Heinrich Schenker
- McCreless, Patrick: Music and rhetoric
- Burnham, Scott: Form
- Dunsby, Jonathan: Thematic and motivic analysis
- Rothfarb, Lee: Energetics
- Gjerdingen, Robert: The psychology of music
What about jazz in Finland?
[Sign. 941]
FMIC-Finnish Jazz Federation (1990)
When the Music Stops
[Sign. 2952]
(1996)
Why Jazz? A Concise Guide
[Sign. 3272]
Oxford University Press (2011)
Wieland der Schmied
[Sign. 3204]