{"content":"\n
\n \n About work:

Paraphrases for Flute and Orchestra I dedicated to my daughter Michaela, with this composition she absolved the conservatory. There are miniatures, dedicated to memories of composers, which I admired as a conservatorist. This admiration is still actual - it`s demonstarted by the inception of the composition. There aren` paraphrased themes of composers (J. S. Bach, E. H. Grieg, N. Rimskij-Korsakov, C. Debussy, G. Gershwin), but it`s an attempt to smiling demonstration of their musical heritage from own position. I like smile in music, which is as good - if not sometimes better - as introvertness. In the end of Paraphrases there is also Milan Novák, but I don`t want to compare my compositions with this masters, but I`ve regard to their musical and human heritage and I feel good with them.


\n (author, in: Bulletin New Slovak Music 1989)
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\n Movements:
\n\n J. S. Bach\n \n
\n\n E. H. Grieg\n \n
\n\n N. Rimsky-Korsakov\n \n
\n\n C. Debussy\n \n
\n\n G. Gershwin\n \n
\n\n M. Novák\n \n
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First performance in Slovakia

\n \n \n 27.11.1985,\n Concert Hall of the Conservatory,\n Bratislava,\n SK\n\n
Performers: Michaela Nováková (fl), Orchestra of the Conservatory in Bratislava, Ján Pragant (dir.)\n
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