{"content":"\n    <div class=\"detail-content\">\n        \n        <strong>About work:</strong> <p>A contemporary composer can difficult present his ideas, or persuade about his intentions without excellent interprets. The partiture can`t be read as a book. I`m greatful to B. Warchal and his ensamble for interpretations of my compositions. This artist is related to me by his feeling and understanding of music...</p><br>\n        <em>(author, in: Bulletin New Slovak Music 1989)</em><br>\n        <br>\n        <p>\n            <strong>Movements:</strong><br>\n\n                Prelude\n                3' 09''\n                <br>\n\n                March\n                2' 38'\n                <br>\n\n                Adagio\n                4' 37''\n                <br>\n\n                Finale\n                2' 18''\n                <br>\n            </p>\n\n        <br><p>\n                \n                <p><strong>First performance abroad</strong></p>\n                \n                06.11.1988,\n                The Rudolfinum's Dvořák Hall,\n                Prague,\n                CZ\n\n<br><span class=\"type\">Performers: </span>Slovak Chamber Orchestra, Bohdan Warchal (umv.)\n                <br>\n                <p><strong>First performance in Slovakia</strong></p>\n                \n                \n                15.02.1989,\n                New Slovak Music,\n                Small Concert Hall of the Slovak Philharmonic,\n                Bratislava,\n                SK\n\n<br><span class=\"type\">Performers: </span>Slovak Chamber Orchestra, Bohdan Warchal (umv.)\n                <br>\n\n\n            </p>\n    </div>\n"}