• 1964 – 1968

    Conservatory in Bratislava (trombone – J. Beneš, composing – Juraj Pospíšil)

  • 1968 – 1970

    attended several semesters at the Hochschule für Musik in Basel (composition – Gerald Benett)

  • 1970 – 1976

    Academy of Performing Arts in Bratislava (composing – Dezider Kardoš)

  • since 1976

    music director in the Slovak Radio

  • 1987 – 1990

    music director in the OPUS recording company

  • 1990 – 1991

    editor of the department for symphonic, chamber and opera music of the Slovak Radio

  • 1991 – 1997

    head of the Music ensembles section of the Slovak Radio

  • 1997 – 2000

    Head of Music Broadcasting, Head of the Specialized Editorial Office for Major Music Genres at Slovak Radio (SRo)

  • 2000 – 2010

    Teacher at the Conservatory in Bratislava (composition, instrumentation, music direction)

  • 2006 – 2022

    Lecturer at the Film and Television Faculty of the Academy of Performing Arts in Bratislava (music direction, music dramaturgy, music theory for sound engineers)

  • Since 2022

    External lecturer at the Film and Television Faculty of the Academy of Performing Arts in Bratislava (music direction, music dramaturgy)

"Poul’s work as a composer is not very extensive. In the beginning, while studying at university, he was influenced by his head teachers. His early composition betrays an inclination to working with the twelve-tone free technique; in later years he became open to using tonal centres. Subsequent stages are characterised by modifications of adopted techniques within the limits of contemporary musical aesthetics, approaching the essentials of neo-impressionism. The works which Poul created show him to be a composer with a refined sense of formal equilibrium, a mastery of instrumental technique, and an impressive ability to construct contrasts. His point of departure is thematic material with more or less emphatic tonal centres, in a certain sense associated with the Hindemith orientation. In vocal work he typically has a sensitive approach to the text, an assured grasp of texture and a capacity for diverse variation, which gives dynamism to his composition."


(DOHNALOVÁ, Lýdia: František Poul. In: A Hundred Slovak Composers. Eds. Marián Jurík, Peter Zagar. Bratislava : National Music Centre Slovakia, 1998, p. 233.)

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