Študovňa

Tjulin, Ju.

Muzyka (1976)

Sláviková, Zuzana

vydané vo vlastnom náklade (2000)

Muntág, Emanuel

Matica slovenská (1974)

Rybarič, Richard

(1964)

Goldschmidt, Harry

Deutscher Verlag für Musik (1977)

(1987)

Pirníková, Tatiana

(2015)

Hagoort, Giep - Gajdoš, Július - Novotný, Michal

(2009)

Flašar, Martin a kol.

(2011)

Braun, Roman - Babka, Petr

(2009)

Jiránek, Jaroslav

(1965)

kol.

Mladé letá (1980)

Holčík, Š. - Rusina, I.

Tatran (1987)

Pieta, Karol

Tatran (1982)

Waugh, Alexander

(1997)

Šášky, Ladislav

Tatran (1988)

Palovčík, Michal

ARM 333 (2001)

Palovčík, Michal

ARM 333 (2001)

Aebersold, Jamey

Jamey Aebersold Jazz (1993)

Verlag Kunst und Touristik (1992)

Bloxam, Jennifer M. - Filocamo, Gioia - Holford-Strevens, Leofranc

(2009)

• Bent, Margaret: Naming of Parts: Notes on the Contratenor, c. 1350-1450
• Busse Berger, Anna Maria: The Problem of Diminished Counterpoint
• Carter, Tim: ‘Improvised‘ Counterpoint in Monteverdi´s 1610 Vespers
• Fitch, Fabrice: Towards a Taxonomy of the ‘Eton Style‘
• Owens, Jessie Ann: ‘el foglio rigato‘ Revisited: Prepared Paper in Musical Composition
• Rice, Stephen: Aspects of Counterpoint Theory in the Tractado de canto mensurable (1535) of Matheo de Aranda
• Haggh, Barbara: The Beguines of Bruges and the Procession of the Holy Blood
• Planchart, Alejandro Enrique: The Polyphonic Proses of Guillaume Du Fay
• D‘Accone, Frank A.: Francesco Corteccia´s Hymn for St. John´s Day in the Florentine Liturgy, c. 1544-1737
• Schmidt-Beste, Thomas: The Repertoire of the Papal Chapel after the Council of Trent: Tradition, Innovation, or Decline?
• Stras, Laurie: Imitation, Meditation, and Penance: Don Lodovico Agostini´s Le lagrime del peccatore (1586)
• Zanovello, Giovanni: In oratorio nemo aliquid agat: Savonarola, lo spazio sacro e la musica
• Knighton, Tess: Marian Devotions in Early Sixteenth-Century Spain: The Case of the Bishop of Palencia, Juan Rodríguez de Fonseca (1451 - 1524)
• Kreitner, Kenneth: The Ceremonial Soft Band of Fifteenth-Century Barcelona
• Noone, Michael: An Early Seventeenth-Century Source for Performing Practices at Toledo Cathedral
• Higgins, Paula: Speaking of the Devil and Discipuli: Eloy d´Amerval, Saint-Martin of Tours, and Music in the Loire Valley, c.1465-1505
• Kellman, Herbert: Dad and Granddad Were Cops: Josquin´s Ancestry
• Lockwood, Lewis: ‘It’s true that Josqin composes better...’: The Short Unhappy Life of Gian de Artiganova
• Fallows, David: The Contents of the Herdringen Scores
• Filocamo, Gioia: Sulle orme di Ulrich Schubinger ‘il giovane’: repertorio ‘vivo’ dal codice musicale Augsburg, Staats- und Stadtbibliothek, 2° 142a
• Lodes, Birgit: Des Kaisers Alamire: Zur Entstehung des Chorbuchs Wien, Österreichische Nationalbibliothek, Mus. Hs. 15495
• Leszczyńska, Agnieszka: Franciscus de Rivulo and the Manuscript Gdańsk, Biblioteka Gdańska Polskiej Akademii Nauk 4003
• Wright, Peter: Polyphony for Corpus Christi in an Unknown Fragmentary Source from Mid-Fifteen-Century Central Europe: An Interim Report
• Drake, Warren: A Postscript to Petrucci´s Motteti B: A Closer Look at the ‘Secret Manuscript’ in the Paris Copy
• Morelli, Arnaldo: Galli cantant. Maestri di capella francesi in uno sconosciuto manoscritto di metà Cinquecento
• Rifkin, Joshua: A Scriptor, a Singer, and a Mother Superior: Another Story about MS DCCLXI of the Biblioteca Capitolare in Verona
• Sherr, Richard: Thoughts on Some of the Masses in Vatican City, Biblioteca Apostolica Vaticana, MS Cappella Sistina 14 and its Concordant Sources(or, Things Bonnie Won´t Let Me publish)
• Tacaille, Alice: Notes sur la copie des messes de Josquin des Prés dans un manuscrit italien de la fin du xvi siècle
• Elias, Cathy Ann: A New Look at Cantus Firmus Process in Crecquillon´s Missa Kain Adler in der Welt so Schön
• Gerber, Rebecca L.: A Fifteenth-Century Pellegrina and Standley´s “Harmony of the Spheres” Mass
• Nelson, Bernadette: Patterns of Emulation and Influence in the For seulement Polyphonic Mass Tradition: New Insight Revealed through Music in Toledo
• Roelvink, Véronique: Benedictus dominus deus Israel: A Motet by Johannes Lupi and a Mass by Gheerkin de Hondt
• Rees, Owen: Parody and Patriotism: A Sebastianist Reading of the Masses of Filipe de Magalhães
• Elders, Willem: Perfect Fifths and the Blessed Virgin´s Immaculate Conception: On Ficta in Josquin´s five-part Inviolata
• Gallagher, Sean: Busnoys, Burgundy, and the Song of Songs
• Houghton, Edward F.: The Anonymous Motets of the Chigi Codex
• Leitmeir, Christian Thomas: How Many Keys Are There to a Lock? Contextualizing a 16th-Century Motet
• Macey, Patrick: Josquin and Champion: Conflicting Attributions for the Psalm Motet De profundis clamavi
• Staehelin, Martin: Eine Trauermotetto von Costanzo Festa auf Heinrich Isaac?
• Thomas, Jennifer: Absalon fili mi, Josquin, and the French Royal Court: Attribution, Authenticity, Context, and Conjecture
• Freedman, Richard: ”Ainsi meurs vif“: The Paradox of Choise in Renaissance Song
• Haar, James: “La dolce vista del tuo viso pio” Du Fay and the Italian Song Tradition
• Leach, Elizabeth Eva: The Unquiet Thoughts of Edmund Spenser´s Scudamour and John Dowland´s First Booke of Songes
• Milsom, John: Josquin and the Act of Self-Quotation: The Case of Plusieurs regretz
• Privitera, Massimo: ‘Un baciar furioso, un dispogliarsi’: Constanzo Festa and Eroticism
• Wilson, Blake: “Transferring Tunes and Adjusting Lines”: Leonardo Giustinian and the Giustiniana in Quattrocento Florence
• van Benthem, Jaap: ‘La prima donna del mondo’: Isabella d´Este´s Musical Impresa, its Conception, and an Interpretation
• Bernstein, Lawrence F.: Ockeghem as “The Bach of his Day”
• Jas, Eric: Multivoiced Canons attributed to Josquin
• Pietschmann, Klaus: Zirkelkanon im Niemandsland: Ikonographie und Symbolik im Chansonnier Florenz, Biblioteca Nazionale Centrale, Banco Rari 229
• Prizer, Wiliam F. : The “Virtue” of Lorenzo Lotto: A Musical Intarsia in the Basilica of Santa Maria Maggiore in Bergamo
• Schilltz, Katelijne: Through the Looking-Glass: Pietro Cerone´s Enigma del espejo
• Lewis, Mary S.: The Italian Madrigal in Germany: A New Assessment of Its Early Reception
• Meconi, Honey: A Cultural Theory of the Chansonnier
• Polk, Keith: English Instrumental Music in the Fifteenth Century
• Bernstein, Jane A.: Made to Order: Choirbook Publications in Cinquecento Rome
• Cardamone, Donna G.: Musical Comedy at the Prince of Salerno´s Palace in Naples
• Cummings, Anthony M.: Music and Theatre in Leo X´s Rome
• D´Agostino, Gianluca: Napolitani... eccellentissimi musici, della composizione e del suono. Aspetti della vita musicale a Napoli nel Cinquecento
• Marshall, Melannie L.: Grateful Friends, True Friends: Gifts of Music and Poetry Associated with Girolamo Fenaruolo
• Strohm, Reinhard: Enea Silvio Piccolomini and Music
• Ceulemans, Anne-Emmanuelle: Le Lucidario in musica de Pietro Aaron
• Dean, Jeffrey J.: Josquin´s Teaching: Ignored and Lost Sources
• Holford-Strevens, Leofranc: The Erudition of Florentius de Faxolis and Blasius Romerus
• Rolsma, Saskia C. M. M. : Theory in Practice: Reminiscences of Gaffurius´ Music Theory in the Milanese Choirbook
• Wegman, Rob C.: Tinctoris´s Magnum opus

Šín, Otakar

Hudební matice Umělecké besedy (1942)

Šín, Otakar

Hudební matice Umělecké besedy (1972)

Schneider-Trnavský, Mikuláš

Opus (1981)