{"content":"\n    <div class=\"detail-content\">\n        \n        <strong>About work:</strong> <p>Three Studies for mixed choir and capella are dated from 1974, when I started writing compositions for choir. It is a three-movement cycle based on my own Latin text. (Ave Eva fons amoris tu regina venustatits.) The composition is devoted to the mixed choir Technik who performed the first two movements (Chords, Rhythm). The whole work was interpreted and recorded by the Slovak Philharmonic Chorus with L. Mátl. Rhythm became the most frequently performed part (by Czech and Slovak choirs as well as by several foreign ones).</p>\r\n<p>1 Little variations of two tones depict the development of two vocals from the text: a-e-e-a. The first two words appear after adding the consonant v (Ave Eva).</p>\r\n<p>2 Chords with text Ave Eva are based on a sound and colour usage of different chord configurations.</p>\r\n<p>3 Piano rhythm in quick tempo embodies the complete Latin text. The second movement contains a difficult polymeric part with changes of metrical units. The end is solemn and rhythmical.</p><br>\n        <em>(author, in: Bulletin Melos-Ethos 1993, p. 137.)</em><br>\n        <br>\n        <p>\n            <strong>Movements:</strong><br>\n\n                Little Variations On Two Tones\n                \n                <br>\n\n                Accords\n                \n                <br>\n\n                Rhythm\n                \n                <br>\n            </p>\n\n        \n    </div>\n"}